It’s important to me that everyone understands that if you’ve got an autistic friend who periodically sends you pictures/videos/whatever of your Thing, because they know you’re into it… They love you.
Now don’t get me wrong, It may not necessarily be romantic love, they might not want to run off to a little farm in Montana where you’ll be married forever and raise little sheeps…
But they definitely love you. And they’re so happy when they spot a post about X and go “ooh, my friend likes X! I’ll send it to them!”.
Because they love you and want you to be happy.
Happiness is stored in the 3am discord DM of a link to a Tumblr post of a cute raccoon
Neurotypical people might do this too for the same reason, but I can’t speak for them. I don’t understand how they work.
Here’s a little trick I’ve used in D&D games where the premise of your campaign calls for the party to have access to lots of Stuff, but you don’t want to do a whole bunch of bookkeeping: the Wagon.
In a nutshell, the party has a horse-drawn wagon that they use to get around between – and often during – adventures. This doesn’t come out of any individual player character’s starting budget; it’s just provided as part of the campaign premise.
Before setting out from a town or other place of rest, the party has to decide how many gold pieces they want to spend on supplies. These funds aren’t spent on anything in particular, and form a running total that represents how much Stuff is in the wagon.
Any time a player character needs something in the way of supplies during a journey or adventure, one of two things can happen:
1. If it’s something that any fool would have packed for the trip and it’s something that could reasonably have been obtained at one of the party’s recent stopovers (e.g., rations, spare clothing, fifty feet of rope, etc.), then the wagon contains as much of it as they reasonably need. Just deduct the Player’s Handbook list price for the item(s) in question from the wagon’s total.
2. If it’s something where having packed it would take some explaining, or if it’s something that’s unlikely to have been available for purchase at any of the party’s recent stopovers (e.g., a telescope, a barrel of fine wine, a book of dwarven erotic poetry, etc.), the player in need makes a retroactive Intelligence or Wisdom check, versus a DC set by the GM, to see if they somehow anticipated the need for the item(s) in question. Proficiency may apply to this check, depending on what’s needed. The results are read as follows:
Success: You find what you’re looking for, more or less. If the group is amenable, you can narrate a brief flashback explaining the circumstances of its acquisition. Deduct its list price (or a price set by the GM, if it’s not on the list) from the wagon’s total.
Failure by 5 points or less: You find something sort of close to what you’re looking for. The GM decides exactly what; it won’t ever be useless for the purpose at hand, but depending on her current level of whimsy, it may simply be a lesser version of what you were looking for, or it may be something creatively off the mark. Deduct and optionally flash back as above.
Failure by more than 5 points: You come up empty-handed, and can’t try again for that item or anything closely resembling it until after your next stopover.
As an incidental benefit, all the junk the wagon is carrying acts as a sort of ablative armour. If the wagon or its horses would ever take damage, instead subtract a number of gold pieces from its total equal to the number of hit points of damage it would have suffered. The GM is encouraged to describe what’s been destroyed in lurid detail.
This type of method makes it *way* easier to keep track of items, and… it’s pretty darn funny when the players succeed a roll to see if they backed something outrageously stupid. Trust me, the flash backs are hilarious. Never skip out on them.
UPS drivers making more money will help all workers make more money.
Labor united helps all labor. Rising wages is not zero sum.
Don’t fall for ‘divide and conquer’ rhetoric from the Establishment. They fear the power and influence of worker solidarity.
the ¯\_(ツ)_/¯ has only been actually typed once by a single person, everyone else who has ever used it has just googled “shrug emoji” and copy-pasted it
why repaint the mona lisa
As someone who has painstakingly typed it out because I forgot there were other options, I can guarantee my forgery was not up to the quality of the original.
did you install a katakana keyboard just to type it or did you have to Google “katakana alphabet” or something and copypaste from that
Pretty sure I just did a vaguely cursed bootleg thing like this:
-\_(“✓)_/-
that’s a guy who has lost control of his life. there is no more cheerful nihilism in his smile, no more mischief in his eyes. that’s an emoticon with clinical depression
that’s just a homestar runner character
somehow instead of saying “as a treat”, I’ve started using the phrase “for morale”, as if my body is a ship and its crew, and I (the captain) have to keep us in high spirits, lest we suffer a mutiny in the coming days.
and so I will eat this small block of fancy cheese, for morale. I will take a break and drink some tea, for morale. I will pick up that weird bug, for morale.
I’m not sure if it helps, but it does entertain me
tup pls say sike
This makes me cry laughing every time I read it
my wife, upon learning that pubes can be straight: Thats not bush,,, thats just grass
Have you ever partaken in the flesh of another?
This one shall do nicely.
35 miles, happy 24 hours.
24 miles, 19 hours and ticking.
It’s ok, take your time
Hog swill
Might take a minute.
Back on track, 20 miles ~20 hours, might need a medic.
Buddy???
Found the portal, expect my corpse to arrive in 17-20 hours.
What
What the hell
“Think of the two major possibilities here: Either the studios owe untold millions to their talents and paying it out will decimate their stock prices, or they owe so little because there really is no money in streaming and the bubble of their entire 21st century business model will burst in spectacular fashion. And make no mistake: this is a bubble. This is the inevitable climax of a stockholder-driven hunger for infinite growth, despite the fact that, by design, such a thing cannot and should not exist. The infection of Wall Street has overwhelmed the entertainment industry beyond repair, leading to cultural vandals like David Zaslav to be appointed with the callous duty of strip-mining decades’ of artistic beauty for pennies of tax write-offs. The past and future are frivolous in comparison to the short-term demands that the line keep going up.”